I’m participating in a resident reading tonight, and a lot of people asked if I would be projecting images of the visual poetry I’ve been working on here. I immediately thought of pictures I’ve seen of Jessica reading her poems as they’re projected on a big screen behind her. I would like to be like Jessica.
But, since no other readers will be using a projector tonight, I decided to wait until the final Open Studios of the month to try and share some of my visual work. In the meantime, I promised to post some pictures of my daily Tarot card erasures here. (As always, you can click on a picture to enlarge it.)
I am less interested in the fortune telling properties of Tarot cards than I am in their origin. I like the idea that a rich Italian aristocrat might have commissioned a hand-painted set of playing cards that included extra allegorical trump cards on a whim. I like to imagine a world where people play ordinary card games with Tarot decks. I also love seeing depictions/interpretations of Tarot cards in popular culture. For instance, a particular Tarot card plays a major role in the film The Mortal Instruments: City of Bones. You might not know this, because you are possibly an adult person who does not read large quantities of YA fiction and/or watch a lot of television and films whose target audiences are adolescent girls. But I watched City of Bones while I was knitting the other night, so I know all about it. Those cards were hand-painted, too. Everything comes full circle.
This is interesting.
I also like Tarot cards – not for divination but for their history and esthetics.
I prefer the Rider-Waite deck. Some decks are too out-there freaky for me.
I believe the Gospel can be easily found in the Major Arcana, and the images are poetically inspiring to me:
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